Friday 29 October 2010

the simpsons love poe

I remember as a child watching tree house of horrors and featuring an adaptation of edgar allan poes 'the raven' where homer plays the main narrator, bart plays the bird and marge makes an appearance as his lost Lenore. 
After my previous reserch i realised that the voice over is actually that of James Earl Jones, and while on its own the feeling of the narration is different and i personally felt didnt really work, in context with the video has it changed my mind? well yes i feel it has, which is important to think of, its totally changed how i view his narration now that with the visuals it seems to work better. 
While the poem seemed rushed it was very much an interesting take of the poem, made both 'horror' and comedy with some of our best love characters.  
Again it seems to stick to the local of the very old fashioned traditional lib setting, almost like the vincent price reading from my previous post.I like the way its set as a story within a story and the simpsons character interject with the narration over the top, it was either that or have the narration speak it and the character mouth it but with a much loved show like the simpsons i dont think it would be as affective.










Other then this, the simpsons also use the story of 'the tell-tale heart' with is a Poe short story as a basis for a plot!  In the episode Lisa's rival or 'telltalemind' as some refer it to, we see lisa competeing with a girl who is as good as she as everything, when she sabbotages this girls work, lisa is rawt with guilt like the story in which a person goes mad with guilt after murdering someone, they also actually reference the story in the plot as the work they are doing that gets sabbotaged. Most of the links come in the last 5mins of the show, but the interesting bit for me is when the 'heartbeat' that drove the murderer to confess in the story, drives lisa to come clean about the work. Its just another way in which the idea or the actual story of poes has been used in a different situation. 
Also the simpsons also feature many other links to poe:
In the episode "Saturdays of Thunder", a TV advert shows Poe's tombstone being cleaned by Dr. Nick Riviera. In the episode "Lisa the Simpson", the House of Usher is shown exploding in the fictional Fox show When Buildings Collapse. In the episode "Homer's Triple Bypass", Homer rams Hans Moleman driving a truck with a house on the back. The sign on the house reads "birthplace of Edgar Allan Poe".


Monday 25 October 2010

research - narrations and readings of 'the raven'

really i wanted to start off with adaptations of the works of poe that i already know exsist, as well as reserching into other story adapatiations and how they work. 

In my original idea there would be a narration rather then dialog, and i stumbled across 6 different celebrities reading out poes 'the raven' i thought this was very clever as it shows how different voices effect the story.

William shatner


I personally feel that watching this, apart from the feeling like its james kurt reading it, the slow dialog suits the poem, i also didnt realise how long it took to recite the poem, i like the brakes in the text and while the video is cheesy and his stare is distracting the pronunciation is good. 

James earl jones 



 
James earl jones, aka darth vader reading poe? what an odd mixture, his voice is deep and rather soothing, and while he has a great voice to listen to the velvet touch of his voice doesnt add to the poem, it sounds strange which i guess if its the option ur going for then thats great. it seemed more rushed then the first, as it doesnt seemed to be paced well, and with poetry thats something ill have to be very wery of. and he does need to pronounce some letters longer then others which make them stand out abit to much.

Christopher walken


something very strange happened when i opened this, it opened in a new window so it was running twice at once, slightly out of sync and the echo and repeating and the multi voice made it sound like many a voice rolling around in the narrators head, which is a great effect i could maybe experiment with. Unlike the first one this reading actually has a soundtrack with it, a very creepy thunderstorm filled night like classic horrors always seem to attract! this is good but would not really work if i am to set it in modern times like i wanted to. However it does show me how the atmophere does effect the narration, its different just then having the narration and silence.


Stan Lee


Stan lee creator of some of the best and well known comics of all time reads one of his fave poems of all time. While hes not really an actor i really like his performance because hes not going for the overly evil creepy voice and putting alot of emotion into it. you can tell he knows it well, and knows when to add emotion and when not to. it makes a change from the overly haunting effects of the previous 3 readings. 

Christopher lee 




well Christopher lee does have a very dramatic and even traditional voice in comparison to more colloquial voices, his annunciation is very correct and it makes it sound more old fashioned. He also did a whole collection of readings of Poes work so i may look into what others he did. But i do think it will be very hard to get someone with a voice like that! 

Vincent Price 


 
No gothic horror peice should be overlooked by the master of creepy voices himself mr vincent price. His voice just has that quality of eerieness and creepyness not only by association but just by the tone. Here hes acting out the play in the context of the very gothic style room ect. it does make me think how u would reenact it in a modern world? or would it just not suit in style?

I think this was a real good idea, its allowed me to see a big deal it is to get the voice and  the text broken down into the right sections so that it flows well, and the right emotion goes into the right parts of the narrative

research- where to begin

well the simple answer to this is my comfort zone. My fave poem  by Poe prob his most famous 'the raven' and so there i shall start. The poem is as follows: 

The Raven 1845 
Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,'

Presently my soul grew stronger; hesitating then no longer,
`Sir,' said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, `Lenore!'
This I whispered, and an echo murmured back the word, `Lenore!'
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
`Surely,' said I, `surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more!'

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
`Though thy crest be shorn and shaven, thou,' I said, `art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the raven, `Nevermore.'

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning - little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door -
Bird or beast above the sculptured bust above his chamber door,
With such name as `Nevermore.'

But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered - not a feather then he fluttered -
Till I scarcely more than muttered `Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.'
Then the bird said, `Nevermore.'

Startled at the stillness broken by reply so aptly spoken,
`Doubtless,' said I, `what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his hope that melancholy burden bore
Of "Never-nevermore."'

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking `Nevermore.'

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
`Wretch,' I cried, `thy God hath lent thee - by these angels he has sent thee
Respite - respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'
Quoth the raven, `Nevermore.'

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil! -
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by horror haunted - tell me truly, I implore -
Is there - is there balm in Gilead? - tell me - tell me, I implore!'
Quoth the raven, `Nevermore.'

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels named Lenore -
Clasp a rare and radiant maiden, whom the angels named Lenore?'
Quoth the raven, `Nevermore.'

`Be that word our sign of parting, bird or fiend!' I shrieked upstarting -
`Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! - quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!'
Quoth the raven, `Nevermore.'

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!


At GCSE level drama we had to create a dramatisation based on a writen piece and i wrote a short 15min play around 'the raven' sadly i lost this when my laptop was stolen, however the plot remained in my head as i spent hours working on the script as well as the technical detailings (we were using screens and lights to cast shadows for suggestion) the plot was about a husband and wife, the wife cheated the 'lenore' character and the poem of the raven was the husband going insane after killing his wife in a fit of jealous rage, and the raven was infact the evil ghost of Lenore rather then a psycial bird, as you can tell ive been into this kind of horror for many a year! This will always remain in my heart as one of my fave poems, and it was so easy to write a plot around the poem it's kind of inspired me afterall those years to attempt to make another piece, this time video, creating a plot or imagery around the poem or prose chosen.

Copyright

just as a precaution i wanted to check on the copyright status of the complete works of Edgar allan Poe incase i decide to use one work rather then taking sections from different ones and while the author died over 100 years ago i wasnt sure if there was a way for it to still be kept in copyright. However from the sources ive found most seem to state:

'PD-icon.svg Works by this author published before January 1, 1923 are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas'

or similarly state that the works being so old are in the public domain and are free for me to use as i will without being sued (yay)

My work in the real world!

Over the summer i've been lucky in being able to do stuff which is valuble in the real world, specific photoshoots for people or of people, as well as working on set for a docu-drama as a runner. 


As the main part of this work is trying to encorperate our work into being viable for the real world. I did some reaserch but it didnt take me long to find one i was interested in doing as the handbook lead me to the website and it just jumped out at me. The '2 days later' film competition screamed out for me to look at it. Supprisingly the festival is from my home county, infact just down the road from where i live! The task is rather challenging as it states that the film has tobe shot on a micro-budget (good for me being a poor uni student!) as well as being produced in only 48hours which as an idea scares the hell out of me! it will take alot of work, getting everything right and ready. But i do think i need to do more research as if this 48hours has to be in one go, or do u have to measure the time u spend on it and split it over however long u want totalling 48hours? after all what if u can only shoot in the rain? or at night? Anyway the description on the website is as follows:
2 Days Later is a short horror film competition specifically designed to encourage filmmakers, enthusiasts and students to produce a 10 minute horror film in only 48 hours on a micro-budget. All competition entries are shown to a public audience, and judged by a panel of film industry professionals, competing for film industry donated prizes at a special Halloween Screening Event in Margate. Winning submissions will also receive global website exposure and international promotion to other film festivals and film industry organisations.
2 days later website  

I think to find out more details about the rules id have to contact them because the website is very vague, but does show examples from previous years which will be good for me to look at an analyse. i really like the idea of playing with time and of course it being a horror competition and Poes work being of the gothic horror veriety it should fit very well! Ive not really got to spend time on the idea of time on screen, and the idea that i can work with the whole twodays idea, maybe starting at the end and then flashing back to the start or something like that will be good! at the moment its very rough but then once i start to plan and set out my ideas i should be fine!
 

Most famous work

As part of trying to pick a story and or deside on a script im going to read a large amount of Poes work. Here is a list classed as his best works, and when i can i shall type up my notes on each play, prose or poem i read. and if i choose to create a new piece from a selection of his work then i shall state which works it comes from.

Tales
"The Black Cat"
"The Cask of Amontillado"
"A Descent into the Maelström"
"The Facts in the Case of M. Valdemar"
"The Fall of the House of Usher"
"The Gold-Bug"
"Hop-Frog"
"Ligeia"
"The Masque of the Red Death"
"The Murders in the Rue Morgue"
"The Mystery of Marie RogĂȘt"
"The Oval Portrait"
"The Pit and the Pendulum"
"The Premature Burial"
"The Purloined Letter"
"The System of Doctor Tarr and Professor Fether"
"The Tell-Tale Heart"

Poetry
"Al Aaraaf"
"Annabel Lee"
"The Bells"
"The City in the Sea"
"The Conqueror Worm"
"A Dream Within a Dream"
"Eldorado"
"Eulalie"
"The Haunted Palace"
"To Helen"
"Lenore"
"Tamerlane"
"The Raven"
"Ulalume"

Other works
Politian (1835) - Poe's only play
The Narrative of Arthur Gordon Pym of Nantucket (1838) - Poe's only complete novel
"The Balloon-Hoax" (1844) - A journalistic hoax printed as a true story
"The Philosophy of Composition" (1846) - Essay
Eureka: A Prose Poem (1848) - Essay
"The Poetic Principle" (1848) - Essay
"The Light-House" (1849) - Poe's last incomplete work

infact wikisource seem to have a list of all of poes collected work sorted into catagories! alot of reading for me!
wikisource (allan poe works)

ideas

my main idea for this project came from the idea of one of my fave writers, and trying to create an adaptation of his works, im unsure of yet if i want to pick one short story or maybe even just take snippets from different storys to build up a story or plot. but thats one of the main things i will need to work on, a basic plot and script, as well as doing a storyboard and even a few mockups, experiments as well as castings and such. im abit nervous as ive never undertaken a narrative piece like this on my own before. but i just want to see how it will develop and how i manage to get on with it, this basic idea may change from a narrative peice to more an abstract peice which is more what im used to.
i wanted to work on sound and the idea of either a script built in dialog or a narration over the top and different ways of doing this. 

To start off with i need to do abit of reaserch on his work, existing adaptations, referenced to him, also to see if theyres anywhere in the uk for me to visit, his work of course was wrote in the USA. but to begin abit of a brief biography:

Edgar Allan Poe 1809 –1849 was an American writer, poet, editor and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective-fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career. Growing up, he dealt with a lot of pain, being orphaned young by his mothers death following being abandoned by his father. while he was taken in by the ALLAN family he was never formally adopted. And in death Poe had no better luck, having  been attributed to alcohol, brain congestion, cholera, drugs, heart disease, rabies, suicide, tuberculosis, and other agents. When he tried to make a living out of his writing, the era and industry made it hard for any American writer to make a living. After starting to attempt at poetry, after his brothers death Poe turned to prose, which is when he started with his short stories. As his wifes health deteriorated at a young age due to TB, Poe started to drink, and the premature death of his wife inspired much of his work. Poe’s death remains a mystery but again at a premature age of just 40.  On October 3, 1849, Poe was found on the streets of Baltimore delirious, "in great distress, and... in need of immediate assistance", according to the man who found him, Joseph W. Walker. He was taken to the Washington College Hospital, where he died on Sunday, October 7, 1849, at 5:00 in the morning. Poe was never coherent long enough to explain how he came to be in his dire condition, and, oddly, was wearing clothes that were not his own. Poe is said to have repeatedly called out the name "Reynolds" on the night before his death, though it is unclear to whom he was referring. Some sources say Poe's final words were "Lord help my poor soul." All medical records, including his death certificate, have been lost. Newspapers at the time reported Poe's death as "congestion of the brain" or "cerebral inflammation", common euphemisms for deaths from disreputable causes such as alcoholism.The actual cause of death remains a mystery.


Poe's best known fiction works are Gothic, a genre he followed to appease the public taste. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning.Beyond horror, Poe also wrote satires, humor tales, and hoaxes. For comic effect, he used irony and ludicrous extravagance, often in an attempt to liberate the reader from cultural conformity.During his lifetime, Poe was mostly recognized as a literary critic. Fellow critic James Russell Lowell called him "the most discriminating, philosophical, and fearless critic upon imaginative works who has written in America", though he questioned if he occasionally used prussic acid instead of ink. Poe was also known as a writer of fiction and became one of the first American authors of the 19th century to become more popular in Europe than in the United States. Poe is particularly respected in France, in part due to early translations by Charles Baudelaire. Baudelaire's translations became definitive renditions of Poe's work throughout Europe.
Poe's early detective fiction tales starring the fictitious C. Auguste Dupin laid the groundwork for future detectives in literature. Sir Arthur Conan Doyle said, "Each [of Poe's detective stories] is a root from which a whole literature has developed.... Where was the detective story until Poe breathed the breath of life into it?" The Mystery Writers of America have named their awards for excellence in the genre the "Edgars". Poe's work also influenced science fiction, notably Jules Verne, who wrote a sequel to Poe's novel The Narrative of Arthur Gordon Pym of Nantucket called An Antarctic Mystery, also known as The Sphinx of the Ice Fields. Science fiction author H. G. Wells noted, "Pym tells what a very intelligent mind could imagine about the south polar region a century ago."